They say that beauty is in the eye of the beholder, though some people would probably interject its beer holder. However, there are certain decorating standards that may be deemed as quintessential and universal, that kind of standard that cannot be questioned or contested. Look at this catalog of decorative craft chandeliers and see our point.
There are many facets in the words decorative, and arts, and crafts. These are words that usually get thrown around to the point of losing their significance. What muddles things even further is that these are, more often than not, subjective qualities. And you can get into a bar fight by proclaiming and disagreeing with what these three words are made out of.
Anyway, the main point of that embarrassing screed is that beauty, and the perception of it, is very much relative. There lies the great struggle in Art. After all, the starving artist, though it is a hackneyed term, is not so much figurative as literal. One has to make a great living in this enterprise. You have all the creativity and imagination at your disposal, but the question is that if it meshes well with the imagination and idea of creativity of the audiences right there.
When crafters or artists make or sell art, therefore, they often produce in spades. Such that, if you dont like this, then maybe youd like that, if not this, and that, and so on and so forth. With that quality control, so to speak, then perhaps you will wind up finding something that you truly appreciate.
After all, the chandelier is something like an icon, symbol, or motif of luxury. Its certainly not something you wind up seeing in a little hut of sorts, or a motel, or something like that. You should probably guess that for yourself. With its French etymology, its luxurious provenance is already very well set.
This plight explains so much about the subjectivity of art. How some artworks and styles and movements are looked down by some and upheld by others. There is even art that is not considered as such, but rather as a pretender or an all out abomination. So much for subjectivity.
It goes without saying, but with the relative plainness of the ceiling, and the noticeable breadth and height of the chandelier, not to mention the coruscations of light and color it gives off, it kind of goes without saying that it easily draws the eye. In fact, it may even mandatorily draw the eye. Its a kind of reflex action when your wary eye rests on the most noticeable and gargantuan thing in the vicinity, all the more when it appears to be giving off unusual properties like luminescence.
Then again, we digress. Our point in this matter is that the chandelier usually comes foremost before anything. You might be pretty stoked to replace or vamp up your rug or carpet, but trust us, its probably next to the last thing that people tend to notice. When you are going for the mood setter, though, you would have to trust it all on the quintessential crowning glory screwed above.
Decorative craft is concerned with objects of utility. And such is the application here. After all, before anything else, functionality is the nitty gritty. This is essentially an area where aesthetics and utility are carefully balanced out and evened out with each other.
There are many facets in the words decorative, and arts, and crafts. These are words that usually get thrown around to the point of losing their significance. What muddles things even further is that these are, more often than not, subjective qualities. And you can get into a bar fight by proclaiming and disagreeing with what these three words are made out of.
Anyway, the main point of that embarrassing screed is that beauty, and the perception of it, is very much relative. There lies the great struggle in Art. After all, the starving artist, though it is a hackneyed term, is not so much figurative as literal. One has to make a great living in this enterprise. You have all the creativity and imagination at your disposal, but the question is that if it meshes well with the imagination and idea of creativity of the audiences right there.
When crafters or artists make or sell art, therefore, they often produce in spades. Such that, if you dont like this, then maybe youd like that, if not this, and that, and so on and so forth. With that quality control, so to speak, then perhaps you will wind up finding something that you truly appreciate.
After all, the chandelier is something like an icon, symbol, or motif of luxury. Its certainly not something you wind up seeing in a little hut of sorts, or a motel, or something like that. You should probably guess that for yourself. With its French etymology, its luxurious provenance is already very well set.
This plight explains so much about the subjectivity of art. How some artworks and styles and movements are looked down by some and upheld by others. There is even art that is not considered as such, but rather as a pretender or an all out abomination. So much for subjectivity.
It goes without saying, but with the relative plainness of the ceiling, and the noticeable breadth and height of the chandelier, not to mention the coruscations of light and color it gives off, it kind of goes without saying that it easily draws the eye. In fact, it may even mandatorily draw the eye. Its a kind of reflex action when your wary eye rests on the most noticeable and gargantuan thing in the vicinity, all the more when it appears to be giving off unusual properties like luminescence.
Then again, we digress. Our point in this matter is that the chandelier usually comes foremost before anything. You might be pretty stoked to replace or vamp up your rug or carpet, but trust us, its probably next to the last thing that people tend to notice. When you are going for the mood setter, though, you would have to trust it all on the quintessential crowning glory screwed above.
Decorative craft is concerned with objects of utility. And such is the application here. After all, before anything else, functionality is the nitty gritty. This is essentially an area where aesthetics and utility are carefully balanced out and evened out with each other.
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